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Clint Eastwood: A Lifetime of Achievement
From: American Film Institute
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EDITOR'S INTRODUCTION |
Actor-director Clint Eastwood is an American film icon. His accomplishments both on-screen and behind the camera have garnered critical acclaim and box-office success.
In 1996, Eastwood (right) received the American Film Institute's (AFI) Life Achievement Award, an honor bestowed upon individuals whose careers in motion pictures or television have greatly contributed to the enrichment of American culture. AFI recognized Eastwood's courage, flexibility and grace. |
 he American Film Institute is proud to honor Clint Eastwood with its 24th Life Achievement Award. |
Eastwood's remarkable career
has now spanned five decades. In that time, he has reinvented himself constantly while never appearing, to the naked eye, to change at all. After roles in a handful of low-budget feature films during the 1950s, Eastwood sidled into unpretentious television stardom during seven years of Rawhide. He then went to Italy to act in a trilogy of stylish, revisionist westerns for Sergio Leone: A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad, and the Ugly (1967). It didn't seem like a very smart move at the time, but when the dust had cleared, Clint Eastwood had become the world's most popular movie star, the heir apparent to laconic American icons like John Wayne, Henry Fonda and Gary Cooper. |
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| The 1964 film trailer for A Fistful of Dollars. | |
Eastwood, however, charted his own course. The screen characters of Wayne, Fonda and Cooper, no matter how complex or shaded, were always defined by a code of behavior. They fought fairly and always gave the bad guy an even chance. Eastwood's Man With No Name in the Leone films had no such scruples. He was a loner with no past and no future; a man of few words who cared for no one, trusted no one, and was capable of as much violence as circumstances required. |
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| Clint Eastwood receives his Life Achievement Award on February 29, 1996, at Merv Griffin's Beverly Hilton Hotel. The evening's hosts were Jim Carrey and Rene Russo. | |
Working with his mentor, Don Siegel, Eastwood sometimes played more conventional heroes, but he always imbued their personalities with darker, more complex shadings. He may be the "good guy" in films like Hang 'Em High (1967) or Dirty Harry (1971), but only because the bad guys are much, much worse. Just as he had seemingly achieved movie stardom when no one was looking, so did Eastwood quietly go about becoming one of American cinema's most interesting and challenging directors. Beginning with the superbly edgy suspense thriller Play Misty for Me (1971), Eastwood set about creating a uniquely personal vision made up of cinematic virtuosity (The Gauntlet, 1977), gentle humor (Bronco Billy, 1980), spiritual and psychological danger (Tightrope, 1984), allegory (Pale Rider, 1985), and themes of revenge and redemption (Unforgiven, 1992). It would have been easy for Eastwood the director to place Eastwood the actor in roles that would only enhance his considerable star image; instead he has continued to dig deeper, searching for larger truths no matter how unsettling. For an actor with such a stoic, sometimes impassive demeanor, Eastwood has consistently--often pitilessly--revealed himself through his work. |
Not many filmmakers have equaled Eastwood's singular achievement: he has appealed powerfully and continuously to a wide and enthusiastic audience, while creating a personal and idiosyncratic body of work. Realizing one goal or the other is more than most artists can hope for. But Eastwood makes it seem as if there's nothing to it. As an actor he doesn't waste words; as a director he doesn't waste images. Cool, charismatic, wry and deadly, he makes his point and moves on. Cinematically at least, Clint Eastwood is the Man With No Limits. For these reasons, the American Film Institute has selected Clint Eastwood to receive this prestigious award. |
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